Mores in Japan
If it’s good, one isn’t enough, and if it’s bad, two are enough. The first man and first woman, in the understanding of the Japanese, is the god Idaanami and…

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HIROKAZU KORE-EDA: UNSUMPENT MEMORIES
Whatever skeptics say, we cherish our memories. But do we ourselves know about this? Acquired life experience is nothing more than a collection of memories. Both the good ones, pushing…

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JAPAN'S POSTAL MARKS
Her Majesty Postage Stamp! It is a unique invention in itself. And she appeared at the behest of the time. Rather - at the behest of economic progress. The vigorously…

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bustling city

JAPANESE GARDENS WITH THE EYES OF A JOURNALIST

The famous rock garden of the Ryoanji Monastery in Kyoto. Japanese gardens do not bear material fruit. Their purpose in another is to awaken the work of thought.

Divine emptiness

It is known that in Zen monasteries there are rooms for contemplation. They are empty. According to legend, the founder of the Darum sect, in order to renounce both the world and himself, for many years sat in such a room facing the wall. Contemplation of empty space is one of the methods of understanding the Absolute. Such are the classic Japanese gardens – stones, mosses, water, young pine … They resemble the same rooms and are not created for admiring. The concept of immortal emptiness is hardly Continue reading

HIROKAZU KORE-EDA: UNSUMPENT MEMORIES

Whatever skeptics say, we cherish our memories. But do we ourselves know about this? Acquired life experience is nothing more than a collection of memories. Both the good ones, pushing for activity in the same direction in which we liked to go once, and the bad ones, taking a step on a curved path.

But is it possible to choose one, only one memory, with which you would stay forever, and lose everything, forget, erase everything else?

Employees of one celestial office help to answer this question to just dead people, giving them only three days to choose, in the film by Japanese director Hirokazu Kore-eda / After Life / After life /, which premiered on our television not so long ago. After all, it is this very unique memory that will determine the new karma of rebirth … Continue reading

Japanese Restaurant Menu

The theater, as you know, begins with a hanger, and restaurants in Japan with osinagaki, the menu. Externally, menus often resemble, without exaggeration, works of art. There are oshinagaki, which are written with a brush on thin rice paper in the style of famous masters of calligraphy. In many restaurants, the texts of the menu are not inferior in artistry to the design. The list of dishes sometimes resembles the classic poetic three-verses. In any case, many images from poetry migrated to Osinagaki. In autumn, for example, you will be offered momiji oroshi. Momiji is a scarlet autumn maple leaves, a traditional poetic image, and osi, literally, is something passed through a grater. The Japanese mood is also caused by a dish with a name such as tsukimi van. A van is a thick vegetable soup with meat or fish in a wooden bowl. And tsukimi is an autumn ritual of admiring the reflection of the moon in water-flooded rice fields. Again in the name of the dish is a hint of the season. Late autumn is associated with boiled shigure-ni dishes. Sigure – translated autumn drizzle, but not cooking. Continue reading

State symbols of Japan
Official name: 日 章 旗 (niso: ki) - “national flag” Generic Name: 日 の 丸 (hinomaru) - "solar circle" Date of official adoption: August 13, 1999 Colors: white, scarlet State…

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What to try in Japan?
The country has managed to maintain ancient traditions, but at the same time prefers to follow the ultramodern development path. Here, the cities of the future strangely coexist with the…

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Why Japan has left-hand traffic
This question is, of course, burning. It becomes especially relevant when, after a short stay in Japan, you suddenly find yourself thinking that you can’t part with the Japanese in…

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How Samurai's son Matsuo Basho glorified the Japanese three-song haiku all over the world
Haiku (hoku) remains popular largely due to the fact that it perfectly conveys the subtexts of the funny, allows you to achieve funny understatement - a couple of expressive touches,…

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