ANIMATION OF CELESTIAL COLOR
In search of explanations of actual reality, social researchers are increasingly turning to the analysis of media products. The history of this interest is closely connected with the development of…

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Cultural leisure and the rules of its passage
In light clothing, with a backpack on my shoulder in the early morning of the summer month of August, I walked unhurriedly out of the anthracite building of the Kyoto…

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Did Jesus really escape execution, get married and live in Japan: Museum in the village of Shingo
650 km north of Tokyo you can find the tiny village of Shingo, which locals consider the last refuge of Jesus Christ. Allegedly among the quiet hills of this place…

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HIROKAZU KORE-EDA: UNSUMPENT MEMORIES

Whatever skeptics say, we cherish our memories. But do we ourselves know about this? Acquired life experience is nothing more than a collection of memories. Both the good ones, pushing for activity in the same direction in which we liked to go once, and the bad ones, taking a step on a curved path.

But is it possible to choose one, only one memory, with which you would stay forever, and lose everything, forget, erase everything else?

Employees of one celestial office help to answer this question to just dead people, giving them only three days to choose, in the film by Japanese director Hirokazu Kore-eda / After Life / After life /, which premiered on our television not so long ago. After all, it is this very unique memory that will determine the new karma of rebirth … Continue reading

BEAUTY OF BUDDHIAN AND SINTOIST SCULPTURE ATTRACTS THE SHOWER OF A EUROPEAN
Having bought an amazing enameled vase decorated with a figure of some deity as a Christmas present for my daughter, I wanted to find out who is depicted in this…

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MIN TANAKA: DANCE OF THE WORLD
The building of the Theater School of Dramatic Art Theater on Sretenka is not just a wall. This is a huge bright space, getting into which, a person immediately becomes…

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Cultural leisure and the rules of its passage
In light clothing, with a backpack on my shoulder in the early morning of the summer month of August, I walked unhurriedly out of the anthracite building of the Kyoto…

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