basic necessities
BEAUTY OF BUDDHIAN AND SINTOIST SCULPTURE ATTRACTS THE SHOWER OF A EUROPEAN
Having bought an amazing enameled vase decorated with a figure of some deity as a Christmas present for my daughter, I wanted to find out who is depicted in this vase. And I headed to the house of Monasmit Byron, located in the Tokyo area of Sinanomati.
Byron put on tiny Taisho-era silver-framed glasses (1912-1926) and delved into the reference book.
“This is the deity of Benzai-ten, better known as Benten-sama, the prototype of which was the Hindu goddess Saraswati. Benzai-ten is the only female deity among the Shifufujin – the seven Shinto gods of fortune. The goddess of water and music, she is usually portrayed playing the lute” biwa ” as in this vase, “he said.
I knew that I had come to one of the most competent experts.
When I came to Byron again, but as a journalist, to talk with him in more detail, he photographed a black lacquered zushi – a vertical double-leaf casket where Buddhist statues are usually placed, preparing to sell it at the eBay online auction. Since Continue reading
ANIMATION OF CELESTIAL COLOR
In search of explanations of actual reality, social researchers are increasingly turning to the analysis of media products. The history of this interest is closely connected with the development of the ideas of modern Marxists (neo-Marxists), who justified and proved that the media and mass culture, among other functions, contribute to the establishment and maintenance of the ideology of ruling groups.
One of the most dynamically developing research areas on this basis is visual research, the focus of which, for more than two decades, has been in cinema, design, television, advertising, including in connection with the analysis of various forms of sexuality presented there. At the same time, animated cinema, which traditionally refers to the sphere of childhood, where the topic of sexuality is not yet relevant, often remains outside the scope of researchers’ attention, which in our Continue reading
MIN TANAKA: DANCE OF THE WORLD
The building of the Theater School of Dramatic Art Theater on Sretenka is not just a wall. This is a huge bright space, getting into which, a person immediately becomes an object of art. Architecture (one of the authors of the project is the Artistic Director of the Theater Anatoly Vasiliev) is designed so that anyone who appears there feels as if in the arena, on the podium, and it is not by chance that the white walls do not imply approaching them, it is no coincidence that there are no chairs along walls. You must perforce move, climb and descend through the numerous ladders, getting onto balconies and platforms, every second building your relationship with space, with an echo from your voice and steps. The theater has already begun. Continue reading
