Monthly Archives: January 2020
THEORIES OF “NIHONDZINRON” IN JAPANESE BILLS
In the near future, the Japanese government plans to put into circulation new-type banknotes with new “faces.” Gradually, such money will supersede the existing banknotes of the 1984 model. An interesting feature of Japan is that the banknotes depict the “nichondzinron” theorists [I], great enlighteners, people who made a huge contribution to the formation of the Japanese worldview during the Meiji period.
Why aren’t banknotes, for example, the first Minister of Finance of this period or the first president of the First National Bank? After all, these people had to re-create the financial system of Japan according to the Western model. “According to the results of the American trip, Deputy Minister of Finance Ito Hirobumi [II] proposed urgent reforms in the financial sphere, namely, to pass a law on the issue of government securities, create modern Continue reading
JAPAN’S POSTAL MARKS
Her Majesty Postage Stamp! It is a unique invention in itself. And she appeared at the behest of the time. Rather – at the behest of economic progress.
The vigorously developing capitalism of the mid-19th century, industry, trade, transport, or, as they say now, “business”, needed a connection. Moreover, the communication is well-established, reliable, and, most importantly, publicly available, convenient and cheap. And this, I think, predetermined the fact that for the first time a postage stamp appeared in Great Britain, which had become by that time a powerful colonial power, a “workshop of the world”, a “world cab driver”, and a “world banker.” And the communication system that existed in the country at that time was cumbersome, expensive and required streamlining.
In 1837, a member of the House of Commons of the British Parliament, inventor and educator, Sir Rowland Hill published his project “Post Office Reform, its Importance and Feasibility”. In his work, he proposed to unify the postage Continue reading
ANIMATION OF CELESTIAL COLOR
In search of explanations of actual reality, social researchers are increasingly turning to the analysis of media products. The history of this interest is closely connected with the development of the ideas of modern Marxists (neo-Marxists), who justified and proved that the media and mass culture, among other functions, contribute to the establishment and maintenance of the ideology of ruling groups.
One of the most dynamically developing research areas on this basis is visual research, the focus of which, for more than two decades, has been in cinema, design, television, advertising, including in connection with the analysis of various forms of sexuality presented there. At the same time, animated cinema, which traditionally refers to the sphere of childhood, where the topic of sexuality is not yet relevant, often remains outside the scope of researchers’ attention, which in our Continue reading
