If it’s good, one isn’t enough, and if it’s bad, two are enough.
The first man and first woman, in the understanding of the Japanese, is the god Idaanami and the goddess Izanami. It is not known how they were born. But the touching dialogue following this is known. Izanangi: “How is your body made?” Izanami: “My body grew, grew, but there is a place that never grew.” Izanangi: “My body grew and grew, but there is a place that has grown too much. Therefore, I think, I have a place on my body that has grown too much, put in a place that you haven’t grown on your body, and give birth to a country. Well how shall we give birth? ” Izanami: “That’ll be fine.” So the islands of the Japanese archipelago appeared. Continue reading
Pinku eigu (literally – “pink film”) is a direction in Japanese cinema that exploits the theme of a woman in criminal circumstances, containing a large number of scenes of violence and erotic content. The peak of popularity was in the early 1970s. Sometimes Western film experts completely identify pink eig with films of the Sexploitation category or even with Softcore pornographyruen (“easy” pornography), but the cinema of Europe or America has no real analogues in this direction. “The West does not know anything about these films, and it shouldn’t know”, American film expert Donald Ritchie once said. The term “Pinky” was first coined in 1963 by journalist Murai Minoru, but became common only in the late 1960s. In the early 1970s, Japanese criticism in relation to the features of the projects of various studios began to single out two more related areas – Pinky Continue reading