MIN TANAKA: DANCE OF THE WORLD
The building of the Theater School of Dramatic Art Theater on Sretenka is not just a wall. This is a huge bright space, getting into which, a person immediately becomes…

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ABS and other delights of Japanese civilization
When I was in the country of Hipponia (I hope no one needs to explain where it is :)) it came out, which means that the case is so unprepossessing,…

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BONSAI: UNIVERSE IN TREE
In the East, trees, herbs, and flowers are worshiped as living beings. They conduct confidential conversations with them, as with close friends. They are idolized. Monuments are erected to beloved…

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Connery learned

A LITTLE ABOUT CAGURA

The Japanese term “Kagura” consists of two characters, the first of which means “Divine”, “sparkling”, and the second – in this context – “music”. This is the name of cult performances, known in Japan since the 7th century, performed at first near the Kagu-Yam mountains. Once it was an active volcano, then metal was mined here. The land of Kagu-Yam was always considered sacred and used in fortune-telling. According to legend, the Kagu-yama fell from heaven to earth and, thus, is not just the venue for the first ritual performances, but is actually connected with the events of the ancient mystery.

The performance is a vivid sight, colorful pantomime, accompanied by playing the drums and flute (sometimes – singing). Subsequently, the use of kagurs was transferred to special sites in front of Shinto temples.

In essence, Kagura is a theatrical parable, allegorically revealing the relationship of man and nature. The Japanese have always been trusting-reverently treated nature, with a heightened sense of the deep, sometimes hidden meaning of the environment. Hence the attention to everything that happens, where there is nothing worthy of interest. Not surprisingly, in Japan there are many holidays associated with the change of seasons, which are elevated to the degree Continue reading

MIN TANAKA: DANCE OF THE WORLD

The building of the Theater School of Dramatic Art Theater on Sretenka is not just a wall. This is a huge bright space, getting into which, a person immediately becomes an object of art. Architecture (one of the authors of the project is the Artistic Director of the Theater Anatoly Vasiliev) is designed so that anyone who appears there feels as if in the arena, on the podium, and it is not by chance that the white walls do not imply approaching them, it is no coincidence that there are no chairs along walls. You must perforce move, climb and descend through the numerous ladders, getting onto balconies and platforms, every second building your relationship with space, with an echo from your voice and steps. The theater has already begun. Continue reading

CLOTHES IN TRADITIONAL JAPANESE ARTS

In today’s world, traditional clothing naturally gives way to a European dress. Kimono is also subject to change. Now it is made using modern dyeing and weaving technologies. Its decoration changes according to demand. The national costume, along with other cultural phenomena, has become a platform for experiments in attempts to find new opportunities for its development and transformation today. But despite any social and cultural changes, the world of traditional arts in Japan remains almost unchanged, which makes this country unique in the eyes of the whole world. Continue reading

How Japanese Schindler in the USSR saved thousands of Jews from concentration camps: Tiune Sugihara
Thanks to the 1993 Oscar-winning film directed by Stephen Spielberg, the whole world learned the story of Oscar Schindler, a German businessman and member of the Nazi party who saved…

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How Samurai's son Matsuo Basho glorified the Japanese three-song haiku all over the world
Haiku (hoku) remains popular largely due to the fact that it perfectly conveys the subtexts of the funny, allows you to achieve funny understatement - a couple of expressive touches,…

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HIROKAZU KORE-EDA: UNSUMPENT MEMORIES
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JAPANESE GARDENS WITH THE EYES OF A JOURNALIST
The famous rock garden of the Ryoanji Monastery in Kyoto. Japanese gardens do not bear material fruit. Their purpose in another is to awaken the work of thought. Divine emptiness…

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