In the near future, the Japanese government plans to put into circulation new-type banknotes with new “faces.” Gradually, such money will supersede the existing banknotes of the 1984 model. An interesting feature of Japan is that the banknotes depict the “nichondzinron” theorists [I], great enlighteners, people who made a huge contribution to the formation of the Japanese worldview during the Meiji period.
Why aren’t banknotes, for example, the first Minister of Finance of this period or the first president of the First National Bank? After all, these people had to re-create the financial system of Japan according to the Western model. “According to the results of the American trip, Deputy Minister of Finance Ito Hirobumi [II] proposed urgent reforms in the financial sphere, namely, to pass a law on the issue of government securities, create modern Continue reading
The Japanese term “Kagura” consists of two characters, the first of which means “Divine”, “sparkling”, and the second – in this context – “music”. This is the name of cult performances, known in Japan since the 7th century, performed at first near the Kagu-Yam mountains. Once it was an active volcano, then metal was mined here. The land of Kagu-Yam was always considered sacred and used in fortune-telling. According to legend, the Kagu-yama fell from heaven to earth and, thus, is not just the venue for the first ritual performances, but is actually connected with the events of the ancient mystery.
The performance is a vivid sight, colorful pantomime, accompanied by playing the drums and flute (sometimes – singing). Subsequently, the use of kagurs was transferred to special sites in front of Shinto temples.
In essence, Kagura is a theatrical parable, allegorically revealing the relationship of man and nature. The Japanese have always been trusting-reverently treated nature, with a heightened sense of the deep, sometimes hidden meaning of the environment. Hence the attention to everything that happens, where there is nothing worthy of interest. Not surprisingly, in Japan there are many holidays associated with the change of seasons, which are elevated to the degree Continue reading
The building of the Theater School of Dramatic Art Theater on Sretenka is not just a wall. This is a huge bright space, getting into which, a person immediately becomes an object of art. Architecture (one of the authors of the project is the Artistic Director of the Theater Anatoly Vasiliev) is designed so that anyone who appears there feels as if in the arena, on the podium, and it is not by chance that the white walls do not imply approaching them, it is no coincidence that there are no chairs along walls. You must perforce move, climb and descend through the numerous ladders, getting onto balconies and platforms, every second building your relationship with space, with an echo from your voice and steps. The theater has already begun. Continue reading